October 6, 2014

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Faith 47 Exhibition at Aqua Regalia, London

Faith47 Aqua Regalia Exhibition London

FAITH 47 :: SOLO EXHIBITION

AQUA REGALIA :: CHAPTER ONE :: LONDON 2014

Opening Reception: 9th October 2014 / 6pm to 9pm
Exhibition on display: 10th – 19th October 2014 / 11am to 7pm daily
Gallery Location: 91 Brick Ln, London E1 6QL, United Kingdom
Enquiries: Tina@monikerprojects.com

Moniker Projects is proud to present ‘Aqua Regalia,’ the premier London solo exhibition with internationally acclaimed Contemporary artist, Faith47. Following an active street art career spanning more than fifteen years, her work can now be found in major cities around the world. Using a wide range of media, including graphite, spray paint, oil paint, ink, photography and collage, her approach is explorative and substrate appropriate – from found and rescued objects, to time-layered and history-textured city walls and their accretions, to studio prepared canvas and wood.

Aqua Regalia or ‘royal water’ is the alchemical name for a highly corrosive mixture of nitric and hydrochloric acid that transmogrifies, dissolves and changes the most powerful substance – gold.

In Aqua Regalia, Faith embeds found and created objects in an enshrined space and thus, in a manner of the reliquary, pays homage to the sacramental within the ordinary. Torn up begging cards, betting sheets, discarded eviction notices suggest the fall-out of a lost struggle, while visions of supplicants insist upon the power of faith. Eclectic in its mash-up of art as fetish and art as rebooted trash object, it reprises the core question which drives the artist at odds with the cynical neo-liberal force at work today. Such affinities and discordances between hope and yearning seek to restore value and re-inscribe new meaning to the rejected, discarded, the lost or the overlooked.

The restoration of value to discarded things when combined with pictorial conjuring’s of some undivided divinity, suggest a schism between the knowable and the unknowable. Whether the divine resides inside the everyday, or whether it merely intimates an absent-presence. Ultimately it seems that we are dealing with a felt experience – part belief, part yearning.

Along with these found objects are pictorial representations of incarnated divinity: animals, sacred geometry and other symbols. The question is – does the experience attest to the power of things over and above the human apprehension of them, or if the experience compels us to reconsider the object as indivisibly connected to the divine? If the viewer remains unclear it is because this exhibition arrives at a point in history in which it has become impossible to decipher a future, interpret history, let alone grasp the present. By combining found objects and art- incarnate thoughts, Aqua Regalia presents an immersive experience as much as a viewing. In this sacred space, Faith47 asks us to reconsider, and feel the hidden embattled role of the spirit in a secular realm.

www.aquaregalia.com